10 Bands Who Nailed Seemingly Impossible to Cover Rock +

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Signed to Columbia Records in 1989, AiC vocalist Layne Staley, guitarist Jerry Cantrell, bassist Mike Starr and drummer Sean Kinney developed a distinctive style blending melancholy vocal harmonies, downcast lyrics, and contrasting hard and soft elements — elements that reflected their inspired creative duality across two albums featuring mostly electric alternative metal (1990’s ‘Facelift’ and ’92’s ‘Dirt’) and two EPs of introspective acoustic music (’92’s ‘Sap’ and ’94’s ‘Jar of Flies’). By the second half of the ‘90s, drug abuse had torn the band apart: first leading to the replacement of Starr with new bassist Mike Inez (in 1993) and, later, Staley’s slow descent into heroin addiction (both musicians are now deceased), and a long hiatus from touring and recording. Finally, Cantrell, Kinney and Inez resurrected Alice in Chains with new singer/guitarist William DuVall in 2005, and have since toured consistently and released a pair of well-received LPs.”,”post_count”:347,”link_url”:”//loudwire.com/tags/alice-in-chains/”,”feed_url”:”//loudwire.com/tags/alice-in-chains/feed/”,”term_taxonomy_id”:535,”object_id”:0},{“id”:1414,”slug”:”amon-amarth”,”title”:”Amon Amarth”,”description”:””,”post_count”:98,”link_url”:”//loudwire.com/tags/amon-amarth/”,”feed_url”:”//loudwire.com/tags/amon-amarth/feed/”,”term_taxonomy_id”:1423,”object_id”:0},{“id”:432,”slug”:”avenged-sevenfold”,”title”:”Avenged Sevenfold”,”description”:”Avenged Sevenfold are one of the most successful American heavy metal bands of the third millennium, with an estimated 8 million copies sold of their six studio albums. First formed in 1999, in the Orange County town of Huntington Beach, California, A7X, for short, released a pair of independent albums, inspired primarily by the period’s metalcore trends, before moving to a major label for their breakthrough third album, ‘City of Evil,’ released in 2005. This saw the band, consisting of singer M. Shadows, guitarists Synyster Gates and Zacky Vengeance, bassist Johnny Christ and drummer James “The Rev” Sullivan, embracing a more traditional hard rock and metal sound that persists on subsequent releases. Sullivan died from a drug overdose in 2009, prompting the temporary recruitment of Dream Theater drummer Mike Portnoy for the recording of 2010’s ‘Nightmare.’ Another blockbuster album, 2013’s Billboard number one, ‘Hail to the King, followed in 2013 and introduced new drummer Arin Ilejay.”,”post_count”:516,”link_url”:”//loudwire.com/tags/avenged-sevenfold/”,”feed_url”:”//loudwire.com/tags/avenged-sevenfold/feed/”,”term_taxonomy_id”:439,”object_id”:0},{“id”:327,”slug”:”black-sabbath”,”title”:”Black Sabbath”,”description”:”Black Sabbath are the undisputed godfathers of heavy metal. Beginning with their eponymous debut and seminal sophomore LP, ‘Paranoid’ (both released in 1970), the quartet from Birmingham, England, coalesced the scattered contributions of numerous bands (from Blue Cheer to Led Zeppelin) into the powerful, uncompromising and surprisingly malleable style we recognize today. After a succession of influential albums, Sabbath guitarist Tony Iommi, bassist Geezer Butler and drummer Bill Ward parted ways with singer Ozzy Osbourne in 1979, and, for a brief time, enjoyed nearly as much success with former Rainbow vocalist Ronnie James Dio, at the helm. But the band’s fortunes took a turn for the worse after Dio’s departure, steadily declining into obscurity while Osbourne’s solo career flourished, until a reunion of the original foursome was finally brokered for touring purposes in 1997, and, in 2013, for the recording of Black Sabbath’s latest album, ’13’ (minus Bill Ward). Now, with a career spanning nearly five decades, and through thick and thin, Black Sabbath remain the benchmark by which all heavy metal bands measure themselves.rnrn”,”post_count”:687,”link_url”:”//loudwire.com/tags/black-sabbath/”,”feed_url”:”//loudwire.com/tags/black-sabbath/feed/”,”term_taxonomy_id”:334,”object_id”:0},{“id”:786,”slug”:”death”,”title”:”Death”,”description”:””,”post_count”:65,”link_url”:”//loudwire.com/tags/death/”,”feed_url”:”//loudwire.com/tags/death/feed/”,”term_taxonomy_id”:795,”object_id”:0},{“id”:938,”slug”:”ghost”,”title”:”Ghost”,”description”:””,”post_count”:410,”link_url”:”//loudwire.com/tags/ghost/”,”feed_url”:”//loudwire.com/tags/ghost/feed/”,”term_taxonomy_id”:947,”object_id”:0},{“id”:23859,”slug”:”jefferson-airplane”,”title”:”Jefferson Airplane”,”description”:””,”post_count”:2,”link_url”:”//loudwire.com/tags/jefferson-airplane/”,”feed_url”:”//loudwire.com/tags/jefferson-airplane/feed/”,”term_taxonomy_id”:7141,”object_id”:0},{“id”:278,”slug”:”judas-priest”,”title”:”Judas Priest”,”description”:”Judas Priest is one of heavy metal’s most important bands — the ultimate defenders of the style for four decades running, through periods of both acclaim and scorn, and hard-ly any interruption along the way. Hailing from the same industrial metropolis as heavy metal forefathers Black Sabbath, Birmingham, England, Priest debuted in 1974 with ‘Rocka Rolla,’ to a modest reception; but steadily grew in prowess and prominence over the course of landmark albums like ‘Sad Wings of Destiny’ (1976), ‘Stained Class’ (1978), and ‘Hell Bent for Leather’ (1978). The latter also saw the group helping to define heavy metal’s visual iconography, largely based on vocalist Rob Halford’s penchant for metal-studded accessories and leather bondage gear, which, ironically, reflected his closeted gay lifestyle. Come 1980’s pivotal ‘British Steel’ LP, a slightly more accessible metal sound helped Judas Priest turn a commercial corner in America, and ensuing hit albums like ‘Screaming for Vengeance’ (1982), ‘Defenders of the Faith’ (1984) and ‘Turbo’ (1986) saw them conquer even the once elusive radio waves, to say nothing of MTV. Then, just as their creativity and relevance appeared to be waning near the close of the decade, Priest stunned all cynics by bouncing back with one of their best and fiercest albums in 1990’s ‘Painkiller.’ The group appeared poised to flourish throughout the ‘90s until Halford surprisingly left the band to pursue other musical projects, including Fight and 2ow. Priest’s remaining members, guitarists Glenn Tipton and K.K. Down-ing, bassist Ian Hill and recently recruited drummer Scott Travis waited nearly five years for Halford, but finally carried on with a new singer — former tribute band phenom Tim ‘Ripper’ Owens — and released two albums to mixed reviews. Then, following the example set a few years earlier by fellow British metal gods, Iron Maiden, Halford and Priest reunited for 2003’s ‘Angel of Retribution’ and resumed their all-conquering ways — even surviving Downing’s retirement in 2012 with the help of new guitarist, Richie Faulkner. 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In the ‘90s, vocalist/guitarist James Hetfield, drummer Lars Ulrich, lead guitarist Kirk Hammett and bassist Jason Newsted (who replaced the deceased Cliff Burton, in 1986), embraced more accessible sounds and new compositional styles, to the chagrin of some diehard fans. But the band’s remarkable career momentum did not suffer until the early ‘00s, when an ill-advised skirmish with the file sharing network Napster combined with the poorly received ‘St. Anger’ album and assorted personal demons (all of them painfully documented by the infamous feature-length documentary, ‘Some Kind of Mon-ster’) to threaten the band’s future. Metallica duly recovered, however, with the help of new bassist Robert Trujillo, a back to basics LP (2008’s ‘Death Magnetic’) and a never flagging stadium-packing capacity across the globe. “,”post_count”:2320,”link_url”:”//loudwire.com/tags/metallica/”,”feed_url”:”//loudwire.com/tags/metallica/feed/”,”term_taxonomy_id”:351,”object_id”:0},{“id”:630,”slug”:”opeth”,”title”:”Opeth”,”description”:””,”post_count”:143,”link_url”:”//loudwire.com/tags/opeth/”,”feed_url”:”//loudwire.com/tags/opeth/feed/”,”term_taxonomy_id”:639,”object_id”:0},{“id”:2534,”slug”:”pink-floyd-2″,”title”:”Pink Floyd”,”description”:””,”post_count”:79,”link_url”:”//loudwire.com/tags/pink-floyd-2/”,”feed_url”:”//loudwire.com/tags/pink-floyd-2/feed/”,”term_taxonomy_id”:2575,”object_id”:0},{“id”:677,”slug”:”ronnie-james-dio”,”title”:”Ronnie James Dio”,”description”:”Ronnie James Dio is one of heavy metal’s most legendary lead vocalists, and undoubtedly its most well-traveled, having fronted no less than three classic bands, including the one that took his last name. Ronald James Padavona was born to sing on July 10, 1942, and his amazing trajectory took him from late ‘50s doo woo groups, through ‘60s British Invasion and psychedelia, until detouring into the boogie-woogie-driven classic rock of his early ‘70s rock band, Elf. But Dio’s big break arrived in 1975, when he was hired to front Ritchie Blackmore’s Rainbow for a trio of seminal studio LPs. He then replaced Ozzy Osbourne in Black Sabbath for a pair of equally lauded efforts. Come 1983, Ronnie was finally prepared to strike out on his own with Dio, and the band he recruited, featuring guitarist Vivian Campbell, bassist Jimmy Bain, drummer Vinnie Appice and keyboardist Claude Schnell, soon became a top concert draw, thanks to stellar albums like ‘Holy Diver’ and ‘The Last in Line.’ Dio’s popularity began to wane towards the end of decade, as a succession of lead guitarists (Craig Goldy, Rowan Robertson) passed through the group’s ranks, and Ronnie eventually put the band on ice for a couple of years to rejoin Black Sabbath for the ‘Dehumanizer’ album and tour. But this reunion, too, proved short-lived and typically acrimonious, so by 1993 Dio — the band — had been revived with the help of guitarist Tracy G, former Dokken bassist Jeff Pilson and the ever-dependable Appice. Over the ensuing decade, the group would record and tour in support of five well-received studio albums (weathering the occasional musician change up along the way), until Ronnie was lured back into the Sabbath fold yet again, this time under the Heaven & Hell moniker. After hitting the road to the delight of longtime fans, Heaven & Hell recorded three new songs for 2007’s ‘Black Sabbath: The Dio Years’ compilation, and then topped that with a complete album of new material in 2009’s ‘The Devil You Know.’ Tragically, Ronnie James Dio was diagnosed with stomach cancer later that same year, and would eventually pass away on May 16, 2010 — but not before leaving behind one of the most impressive legacies in heavy metal history.”,”post_count”:200,”link_url”:”//loudwire.com/tags/ronnie-james-dio/”,”feed_url”:”//loudwire.com/tags/ronnie-james-dio/feed/”,”term_taxonomy_id”:686,”object_id”:0},{“id”:19609,”slug”:”sanctuary”,”title”:”Sanctuary”,”description”:””,”post_count”:7,”link_url”:”//loudwire.com/tags/sanctuary/”,”feed_url”:”//loudwire.com/tags/sanctuary/feed/”,”term_taxonomy_id”:3136,”object_id”:0},{“id”:500,”slug”:”slayer”,”title”:”Slayer”,”description”:”Widely regarded as the ultimate thrash metal band, Slayer did much to introduce and establish the genre throughout the 1980s, alongside fellow Los Angeles natives Metal-lica and Megadeth, and New York’s Anthrax — collectively known as the Big Four. As the most extreme and lyrically controversial member of that exclusive musical club, Slayer at first attracted a relatively modest (but devout) fan base until breaking through to a broader audience with their monumental third album, 1986’s ‘Reign in Blood.’ The band proceeded to consolidate its dominant place in the heavy metal pantheon over the second half of that decade; and, unlike most peers, refused to alter its core sound throughout the more challenging 1990s. As the third millennium dawned, Slayer read-mitted original drummer Dave Lombardo and enjoyed a renewed period of recording and touring prosperity, leading up to 2013 and the drummer’s latest departure, just months prior to the shocking death of founding guitarist Jeff Hanneman. Nevertheless, remaining founding members, Kerry King (guitar) and Tom Araya (vocals/bass) show no signs of retiring Slayer, which is now rounded out by former Exodus guitarist Gary Holt and returning drummer Paul Bostaph.”,”post_count”:657,”link_url”:”//loudwire.com/tags/slayer/”,”feed_url”:”//loudwire.com/tags/slayer/feed/”,”term_taxonomy_id”:509,”object_id”:0},{“id”:535,”slug”:”system-of-a-down”,”title”:”System of a Down”,”description”:”System of a Down are an Armenian American quartet based out of Los Angeles, and one of the few major nu-metal bands whose popularity far exceed, and then outlived, largely unscathed, that particular style’s limited life span as a dominance musical force. Active in one shape or another since 1992, System of a Down was eventually championed by producer-to-the-stars, Rick Rubin, who signed them to his American Recordings in 1997. For a while, though, it seemed as though SOAD’s eponymous debut (a game-changing, critically acclaimed affair, once described as Faith no more jamming with Slayer) might prove too original and idiosyncratic to attract a mainstream audience. But, with the help of relentless touring over a near-three-year period and the resulting, snowballing word-of-mouth, System of a Down saw their 2001 sophomore LP, ‘Toxicity,’ explode straight to number one upon release, eventually selling an estimated 12 million copies worldwide. A collection of unfinished demos named ‘Steal this Album’ was released in late 2002, after MP3s of the songs were accidentally leaked, and the band’s popularity continued to build, up to and beyond, the dual release of ‘Mezmerize’ [SIC] and ‘Hypnotize’ in 2005, both of which also debuted at number one. The following year, SOAD initiated an official, four-year hiatus while its principals explored other projects, and the group reunited for touring purposes in 2010, with no immediate plans to record new material.”,”post_count”:363,”link_url”:”//loudwire.com/tags/system-of-a-down/”,”feed_url”:”//loudwire.com/tags/system-of-a-down/feed/”,”term_taxonomy_id”:544,”object_id”:0},{“id”:501,”slug”:”tool”,”title”:”Tool”,”description”:”Tool are one of the most successful progressive rock bands of the past twenty years. Armed with a distinct, instantly recognizable sound of their own making, a highly developed visual aesthetic, and marked by a stubborn disinterest in typical music industry standards of self-promotion, career development, never mind release product cycles (to the continued frustration of their patient fans), Tool have produced just four albums and one EP (all of them platinum-certified; two of them number ones, one a number two!) over a 15-year timespan, and nothing since 2006. Nevertheless, the group remains active, despite a myriad of side projects, and a commercial force to be reckoned with; their influence limited only by the difficulty experienced by other bands who would try and and duplicate Tool’s unique sound. Simply put, Tool is one of those rare rock bands that truly exists outside the bounds of passing tastes and musical trends.”,”post_count”:530,”link_url”:”//loudwire.com/tags/tool/”,”feed_url”:”//loudwire.com/tags/tool/feed/”,”term_taxonomy_id”:510,”object_id”:0},{“id”:728,”slug”:”type-o-negative”,”title”:”Type O Negative”,”description”:””,”post_count”:71,”link_url”:”//loudwire.com/tags/type-o-negative/”,”feed_url”:”//loudwire.com/tags/type-o-negative/feed/”,”term_taxonomy_id”:737,”object_id”:0},{“id”:2376,”slug”:”vader”,”title”:”Vader”,”description”:””,”post_count”:15,”link_url”:”//loudwire.com/tags/vader/”,”feed_url”:”//loudwire.com/tags/vader/feed/”,”term_taxonomy_id”:2416,”object_id”:0},{“id”:2048,”slug”:”yngwie-malmsteen”,”title”:”Yngwie Malmsteen”,”description”:””,”post_count”:33,”link_url”:”//loudwire.com/tags/yngwie-malmsteen/”,”feed_url”:”//loudwire.com/tags/yngwie-malmsteen/feed/”,”term_taxonomy_id”:2085,”object_id”:0}],”categories”:[{“id”:13,”slug”:”lists”,”title”:”Lists”,”description”:”Rock lists.”,”parent”:0,”post_count”:1994,”link_url”:”//loudwire.com/category/lists/”,”feed_url”:”//loudwire.com/category/lists/feed/”,”term_taxonomy_id”:13,”object_id”:0},{“id”:1560,”slug”:”metal”,”title”:”Metal”,”description”:””,”parent”:0,”post_count”:24294,”link_url”:”//loudwire.com/category/metal/”,”feed_url”:”//loudwire.com/category/metal/feed/”,”term_taxonomy_id”:1571,”object_id”:0},{“id”:6,”slug”:”news”,”title”:”News”,”description”:”Rock news.”,”parent”:0,”post_count”:44765,”link_url”:”//loudwire.com/category/news/”,”feed_url”:”//loudwire.com/category/news/feed/”,”term_taxonomy_id”:6,”object_id”:0},{“id”:22,”slug”:”original-features”,”title”:”Original Features”,”description”:””,”parent”:0,”post_count”:2977,”link_url”:”//loudwire.com/category/original-features/”,”feed_url”:”//loudwire.com/category/original-features/feed/”,”term_taxonomy_id”:22,”object_id”:0},{“id”:1559,”slug”:”rock”,”title”:”Rock”,”description”:””,”parent”:0,”post_count”:27088,”link_url”:”//loudwire.com/category/rock/”,”feed_url”:”//loudwire.com/category/rock/feed/”,”term_taxonomy_id”:1570,”object_id”:0}],”authors”:[{“id”:4613389,”slug”:”jordanblum”,”name”:”Jordan Blum”,”first_name”:”Jordan”,”last_name”:”Blum”,”nickname”:”jordanblum”,”description”:”Jordan Blum is a former Features Editor at PopMatters and a contributor to Kerrang!, Consequence, PROG, WhatCulture, Metal Injection, Record Collector, and more. 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In his spare time, he likes to yell at strangers about how much Genesis sucked in the ’80s.”,”thumbnail”:”//townsquare.media/site/366/files/2023/04/attachment-225401502_10101805829445354_3728925166432797332_n1.jpg”,”url”:”//loudwire.com/author/jordanblum/”}],”post_more_meta”:{“meta”:””},”social”:{“email”:{“className”:”email share_link”,”href”:”mailto:?subject=Check out 10%20Bands%20Who%20Nailed%20Seemingly%20Impossible%20to%20Cover%20Rock%20%2B%20Metal%20Songs&body=http%3A%2F%2Floudwire.com%2Fbands-nailed-impossible-rock-metal-song-covers%2F%3Ftrackback%3Demail_flat_4″,”title”:”EMAIL”,”target”:”_self”},”reddit”:null,”readmore”:null,”comments_button”:null,”print”:{“href”:”javascript:window.print();”,”title”:”Print this page”},”showTop”:””,”fb”:{“href”:”http://www.facebook.com/sharer.php?u=http%3A%2F%2Floudwire.com%2Fbands-nailed-impossible-rock-metal-song-covers%2F%3Ftrackback%3Dfbshare_mobile”,”title”:”SHARE”,”target”:”_blank”},”tw”:{“href”:”http://twitter.com/intent/tweet?text=10%20Bands%20Who%20Nailed%20Seemingly%20Impossible%20to%20Cover%20Rock%20%2B%20Metal%20Songs%20http%3A%2F%2Floudwire.com%2Fbands-nailed-impossible-rock-metal-song-covers%2F%3Ftrackback%3Dtwitter_mobile%20%40Loudwire”,”title”:”TWEET”,”target”:”_blank”},”gp”:null,”pinterest”:{“className”:”pinterest share_link”,”name”:”tsq-pinterest”,”href”:”http://pinterest.com/pin/create/button/?url=http://loudwire.com/bands-nailed-impossible-rock-metal-song-covers/%3Ftrackback%3Dpinterest&media=http%3A%2F%2Floudwire.com%2Ffiles%2F2022%2F07%2Fattachment-Ghost-Metallica-Opeth-Alice-in-Chains.jpg%3Fw%3D1200%26h%3D0%26zc%3D1%26s%3D0%26a%3Dt%26q%3D89″,”title”:”Pin it!”,”target”:”_blank”,”count-layout”:”none”,”data-pin-custom”:true},”tumblr”:null,”instagram”:null,”is_article”:true},”nextArticle”:”//loudwire.com/red-hot-chili-peppers-chad-smith-audition/”,”pageUrl”:”/bands-nailed-impossible-rock-metal-song-covers/”,”blogId”:366,”domain”:”loudwire.com”,”crossPostAttributionBottom”:””,”podContent”:[{“type”:”singlePostText”,”data”:{“text”:”

Yes, many attempts to reimagine ostensibly untouchable compositions fail (just listen to Kayne West’s butchering of “Bohemian Rhapsody” or Scissor Sisters’ blasphemous revision of “Comfortably Numb”).”,”podInfo”:{“type”:”tag”,”name”:”p”,”attribs”:{“dangerouslySetInnerHTML”:{“__html”:”Yes, many attempts to reimagine ostensibly untouchable compositions fail (just listen to Kayne West’s butchering of “Bohemian Rhapsody” or Scissor Sisters’ blasphemous revision of “Comfortably Numb”).”}}}},”currentTextLength”:242,”runningCounter”:5,”cumulativePodTextLength”:679,”totalSimilarConsecutiveElements”:7,”totalTextLength”:1043},{“type”:”singlePostText”,”data”:{“text”:”

READ MORE: 20 Most Unexpected Rock + Metal Covers”,”podInfo”:{“type”:”tag”,”name”:”p”,”attribs”:{“dangerouslySetInnerHTML”:{“__html”:”READ MORE: 20 Most Unexpected Rock + Metal Covers”}}}},”currentTextLength”:54,”runningCounter”:6,”cumulativePodTextLength”:733,”totalSimilarConsecutiveElements”:7,”totalTextLength”:1043},{“type”:”singlePostText”,”data”:{“text”:”